Q .You have worked with more than ten different cinematographers in various films, what is your general brief to a DOP and what do you expect from him to realize your vision? I have definitely worked with quite a number of cinematographers in my 40 years of journey with cinema. I expect two ...
Nihar’s Interview:- Q:1 What kind of equipment did you use for location sound recording for “Madras Cafe” and why did you opt for those specific models ? Nihar: I generally use the Zaxcom Deva 5.8 recorder. It is a 10 multi track digital recorder and Lectrosonic ...
Q1. How did you prepare the sound design for the film Madras Café ? Realizing that is a different kind of film which you have been doing so far. BC: To start with this was a very interesting and unusual subject for Bollywood. Shoojit Sircar has been living this subject for quite a few years ...
Introduction: K.K.Senthil Kumar is one of the most respected cinematographers in South Indian film industry today and is know for “ detailing in lighting” . Senthil is among those who have raised the bar in cinematography to another level with his impressive work in films such ...
Q. What was your approach for lighting any scene/shot for “Jal” ? How did you prepare your cinematography scheme while working for this film? We were very concerned about the look of the film. Neither one of us wanted a glossy and Pretty look. We wanted to emphasize the harsh ...
[Best_Wordpress_Gallery id=”3″ gal_title=”anil-mehta-camera”] Q. The DOP always helps the Director in the realization of his vision. What kind of locations came to your mind regarding that vision when Imtiaz narrated the Script to you and how did you go about choosing ...
After graduating from FTII, Pune in 1993, Mr. Sharma worked as cinematographer for …Read more >>
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